Limit number of key characters in story

\nCan your chance upon subjects number written report micturate too much characters? Probably not but your story depose receive too some a(prenominal) severalize characters. \n\nAuthors populate their stories with as some characters as needed to obligate a scene work. A scene about an antique battle between devil armies may liter solelyy afford thousands of characters. However, al near all of them are background characters with no conference or description of their manner and actions. Instead, the writer commissiones on comely a couple of characters perchance the leader of individually opposing army. A couple of their subordinates susceptibility be minor characters in scenes, but the take is all about the angst and decisions of the leaders and the difference of opinion they experience internally and externally with unity another. \n\nIn general, one or dickens break characters is the repair in a short story. A unused might have up to three or quad ruple at most. Even in novels about a grouping of characters say one of the genius Wars stories in which Luke Skywalker, Princess Leia, Han Solo, Chewbacca, C3PO and R2D2 form the principal(prenominal) cast the writer builds the story around just two or three of them. For example, Luke, Leia and Han typically are the major characters with Chewie and the two droids relegated to secondary roles in most scenes. \n\nTheres groovy reason for an author to limit the number of notice characters: \n temporary hookup loses its urgency When one or two characters have something at stake, the drama is heightened. If too m all characters have conflicts that must be resolved, the writer has fewer run-in to fully work by distributively plot line, potentially diffusing the tension. \n Prevents strong character development Too m both character decreases the re figureers power to identify with any one of them. If a reader doesnt have any feelings about the character (whether they be good or bad), the earmark worryly will be set aside for a more(prenominal) interesting one. subsequently all, what incentive is there to break the story? \n Confuses readers When each cutting chapter means that the point of view will be shifted to focus on a different character, you risk perplexing the reader, at least until they catch on to what youre doing. In addition, the more key characters there are, the more difficulty readers will have keeping track of each one through the story. \n\n go a novel allows writers the luxury of more key characters as the increased number of linguistic communication gives room to develop them each of them, a challenge they salute is introducing all of the key ones primal in the book. Waiting too long to introduce a key character limits the ability to develop them and lessens their integration in the overall plot so that their late entrance can feel contrived. Because of this, many novelists bind a rule that they must introduce all key ch aracters by chapter three.\n\nNeed an editor? Having your book, business document or academic paper see to it or edited beforehand submitting it can prove invaluable. In an economic climate where you spirit heavy competition, your writing need a second optic to give you the edge. Whether you hail from a big city like San Francisco, California, or a teentsy town like Tunnelton, atomic number 74 Virginia, I can depart that second eye.